Winter is here, our selection of coats from the fasion week

/ 16:12
Christmas is over, winter is not coming no more, winter is here and we feel it. With all that winter vibe we see us in the obligation to talk about the fashion shows masterpiece, the coat. 





Chanel, 2016

On that 2016 year, devastating on all screens, the coat see itself in nostalgia, and designers work on the basics (or "timeless pieces"), jeans jackets, trench-coat and leather for Chanel, put in our modern era with their famous tweed signature always. 





 Givenchy, 2016

Givenchy makes commercial stuff, stays sober, nude, elegant, in a word, boring, déjà-vu but centered in the selling. 



 Valentino, 2016

Valentino tries to create a basic piece of the brand, still elegant remarquable by their japeneses flowers on it. 


 Dior, 2016

Dior is working on the trend of the moment, the col Bardot. Even if we can doubt the warm characteristics of these coats which we would more wear indoor or for the way taxi- reception room/hotel, we can see that type of coats really useful when we want to show off our boobies like a Kim Kardashian would, braving the cold for few seconds. 






 Gucci, 2016




 Fendi, 2016

Gucci and Fendi plays on the return of the fur by staying on the trend (a little old now) of the color block or on the natural nude of the real fur (which we don't like for sure, animals are alive, and certainly not for us)





 Sacai, 2016

Here comes ouf favorites signed Yuji Yamamoto and Sacai. Japanese are on our walk of fame this winter. We play Haute Couture and oversized originality for Sacai. The pieces are really under the avant garde fashion of Japanese people. It stays still watch me masterpieces, hard to pay and hard to wear unless you're followed by a group of paparazzi. These coats pays tributes to fashion which is becoming more and more neutral and classic during winter. 


Our choice, Yuji Yamamoto, 2016

For the more shy of you, Yamamoto gave you the perfect coat. He succeeded in creating an original piece, elegant and refined. The ombré of texture going from tissu to leather shows a real work of research and elaboration. This coat is adapted to urban life (not to urban wallet) and shows off itself by its subtile details. "Less is more" is the perfect moto for this piece of art. 
Christmas is over, winter is not coming no more, winter is here and we feel it. With all that winter vibe we see us in the obligation to talk about the fashion shows masterpiece, the coat. 





Chanel, 2016

On that 2016 year, devastating on all screens, the coat see itself in nostalgia, and designers work on the basics (or "timeless pieces"), jeans jackets, trench-coat and leather for Chanel, put in our modern era with their famous tweed signature always. 





 Givenchy, 2016

Givenchy makes commercial stuff, stays sober, nude, elegant, in a word, boring, déjà-vu but centered in the selling. 



 Valentino, 2016

Valentino tries to create a basic piece of the brand, still elegant remarquable by their japeneses flowers on it. 


 Dior, 2016

Dior is working on the trend of the moment, the col Bardot. Even if we can doubt the warm characteristics of these coats which we would more wear indoor or for the way taxi- reception room/hotel, we can see that type of coats really useful when we want to show off our boobies like a Kim Kardashian would, braving the cold for few seconds. 






 Gucci, 2016




 Fendi, 2016

Gucci and Fendi plays on the return of the fur by staying on the trend (a little old now) of the color block or on the natural nude of the real fur (which we don't like for sure, animals are alive, and certainly not for us)





 Sacai, 2016

Here comes ouf favorites signed Yuji Yamamoto and Sacai. Japanese are on our walk of fame this winter. We play Haute Couture and oversized originality for Sacai. The pieces are really under the avant garde fashion of Japanese people. It stays still watch me masterpieces, hard to pay and hard to wear unless you're followed by a group of paparazzi. These coats pays tributes to fashion which is becoming more and more neutral and classic during winter. 


Our choice, Yuji Yamamoto, 2016

For the more shy of you, Yamamoto gave you the perfect coat. He succeeded in creating an original piece, elegant and refined. The ombré of texture going from tissu to leather shows a real work of research and elaboration. This coat is adapted to urban life (not to urban wallet) and shows off itself by its subtile details. "Less is more" is the perfect moto for this piece of art. 
Continue Reading

A$AP Bari of A$AP Mob kicked off the VLONE pop-up at Art Basel Miami recently. At the pop-up, fans can expect a collection of limited pieces to be available including painted denim, signature VLONE “V”-branded items alongside Nike, as well as capsule drops in conjunction with No Vacancy Inn, OFF-WHITE and Marino Infantry. The label is also offering a chance to buy the rare VLONE x Nike Air Force 1s via an in-store raffle. With retail prices ranging from $175 to $250 USD, the Miami pop-up is set to run from December 1 to December 4. Check out what went down on day one of the VLONE Art Basel Miami pop-up.
For more on what the A$AP Mob are doing, check out an interview with A$AP Rocky here.

source - hypebeast



The rising french brand wasted universe is simple, minimalist, mainly black and white and fueled with symbols. This gives an unusual, off the wall, provocative but subtle result that is perfectly working and that is making Wasted’s success. blah blah blah.. BUT! as matter of fact Wasted is a brand who makes boards for example their own collection 

 


















this collab : Kyle Platts x Wasted Paris




or this one : Michael Willis x Wasted Paris


also a skateboard team who goes worldwide ( some hashtags you might follow #ADRIEN CARO #ANTOINE VALENTINELLI #CHAD FERNANDEZ #DAVID METIVIER #ETIENNE CHATELAIN #GERVAIS #GUSTAVE GENTIEU #JEROME YORDA #JOHANN LIEBEL #KEVIN DESCHAMPS #ROMAIN BORDA #TOM LAFAY #WASTED) they have great riders and... I don't feel like talking about skateboard I don't know shit about it so watch the videos which are super great even if you don't know a thing about skating & by the way if you want some lit af clothes check their website here




Wasted Skateboarding

by on 18:10
The rising french brand wasted universe is simple, minimalist, mainly black and white and fueled with symbols. This gives an unusual, of...



Tommy Wright III (born May 6, 1976) is a underground gangsta rapper from Memphis, Tennessee that began his career during the early 90s. Also referring to himself as The 1 Man Gang, Tommy Wright III is known for his fast paced rap style, distinguishing voice, brutal lyrics, and his instantly recognizable original backbeats. He is also the head of many Memphis rap groups including the Manson Family and Ten Wanted Men (composed of Jesse James, La Chat, 2-Face, K-Rock (rapper), C-Roc, Lil’ Ramsey, Mac T-Dogg, Project Pimp and Princess Loko).
Wright began writing lyrics to let out his frustration during the early 90’s. In 1993, Tommy put together his own rap group named Ten Wanted Men. Tommy’s very first single was produced by Blackhaven’s own DJ Paul (the future producer of Three 6 Mafia). Tommy Wright III eventually signed with Street Smart Records around 1994. A year later, Select-O-Hits bought Street Smart Records after the label’s underground sound became big around Memphis. In 2000, Tommy was again sent to prison with a sentence of five years. Having spent five years in prison, Tommy Wright III was released in 2005 & released Ashes II Ashes, Dust II Dust on November 28, 2006. 
I discovered this artist when I was in middle school on internet & this man make a long part of my childhood with his voice & album covers, I wanted to be a thug just like in his song lmao, after in the same kind and on of our upcoming subject I liked SPACEGHO$TPURRP & the RVIDER KLVN, enjoy some of my favorite songs.

source : artist-wiki


TOMMY WRIGHT III

by on 16:23
Tommy Wright III (born May 6, 1976) is a underground gangsta rapper from Memphis, Tennessee that began his career during the early 9...


Here is the new arrivals of the new trap lord collection. It's been quite a while that it's out but nobody wrote something on it so we decided to do it.
First we can see the inspiration of New York AKA Gotham city by the printed landscape who looks like a background from comics. Also the colors who reminds America & the circle made of stars from the Paramount pictures studio.As expected from the Trap Lord AKA Fergivicious the christian cross & the prayer's hands are here too.

So everybody go check this out & buy this exclusive A$AP FERG collection here












Tatianna Paulino is the mother of the late hip-hop manager and executive Steven Rodriguez—or as the world knew him, A$AP Yams. He died at the age of 26 in 2015 from a drug overdose. He helped orchestrate the rise of A$AP Mob, which has produced rappers A$AP Rocky, A$AP Ferg, and more. We chronicled the rise or A$AP Rocky in our documentary SXDDVNLY. Below, Paulino writes about the experience of his death and how it’s shaped her. *** Today would have been my son Steven Rodriguez’s 28th birthday. But at about 3 AM on the morning of January 18 2015, the phone rang displaying the number of his roommate. Steven, aka A$AP Yams, was the founder of the hip hop collective A$AP Mob; he would sometimes phone me from his friend’s number. But at this hour, I knew it wasn’t good. “Mama Tati, Steven isn’t feeling well.” I could barely make out the anxiety-ridden voice on the other end, and my heart began beating wildly. Continue reading on Noisey.



IF YOU’VE BEEN feeling in need of an upper during these last few downbeat months, don’t worry: It turns out that Dave Chappelle on Saturday Night Live is a hell of a drug. The comedian and writer made his (decades-overdue) SNLhosting debut this weekend, opening the show with a hilarious, panoramic monologue that touched upon everything from the horrific Pulse nightclub shootings to the Black Lives Matter movement to, of course, president-elect Donald Trump. “We’ve actually elected an internet troll as our president,” Chappelle said, adding: “The whites are furious … I’ve never seen white people this mad since the O.J. verdict.”
Chappelle, who’d never hosted the show before, treated his nearly 11-minute SNL opening as a sort of state of the union, trying to make sense of a year’s worth of tragedies. It was like listening in as your smartest, funniest, most bullshit-free friend put down his newspaper, leaned in across the table, and told you what’s really going on in the world. And nearly every joke landed, even when Chappelle took on seemingly laugh-free topics, eagerly poking at pop-culture third rails with a fork.
On the Pulse tragedy: “The [shooter] pledged allegiance to ISIS before he did what he did, which is not the same as being in ISIS. If I was gonna have sex with a girl, and right before I did it I yelled “Wu-Tang!,” that doesn’t mean I’m in the Wu-Tang Clan.”
On Harambe: “They shot a gorilla in my local zoo, and the Cincinnati police said, ‘Shooting that gorilla was the toughest decision this department ever had to make. I said, ‘Well, you about to see a lot of n—–s in gorilla costumes in Cincinnati.'”
On the president-elect: “I feel bad saying it, but I’m staying in a Trump hotel right now … housekeeping comes in in the morning and cleans my room and I just go, ‘Hey, good morning,’ and grab a handful of pussy and say, ‘Boss said it was okay!'”




Chappelle’s routine was the highlight of an episode that returned frequently to Trump’s election and the current national unease. The night opened with Kate McKinnon, in Hillary garb, singing a gorgeous, somber rendition of the late Leonard Cohen’s “Hallelujah,” and its “Weekend Update” was essentially all-Donald, with a few dead-on one-liners—”Either Donald Trump is actually a genius, or Hillary Clinton hit a voodoo priest with a car,” noted Michael Che—and McKinnon as Supreme Court Judge Ruth Bader Ginsburg, who was seen scarfing Emergen-C in an effort to stay healthy for at least four more years (“An apple a day keeps Ben Carson away.”) Meanwhile, former SNL star Chris Rock made a surprise appearance (in a sketch about a group of naive white Democrats confronting racism while watching election-night returns), and musical guest A Tribe Called Question performed its new blazing agitpop anthem “We the People…” with its chorus of “All you Black folks, you must go/All you Mexicans, you must go.”
But it was Chappelle’s tightly constructed, loosely delivered monologue that anchored the night, providing viewers with a blast of relief after days of anxiety, like a hydrant uncapped on a sweltering summer night. It was salvo as salve, and by 11:45 pm or so, you could almost hear a deep, relieved sigh of gratitude rise over the east coast, as Chappelle closed out his monologue. He talked about a recent trip to a BET-sponsored party at the West Wing—an institution that was traditionally unwelcoming to African-Americans. On that night, “everybody in there was black, except for Bradley Cooper, for some reason,” Chappelle said. “I saw all those black faces, and Bradley, and I saw how happy everybody was—these people who had been historically disenfranchised. And it made me feel hopeful. And it made me fell proud to be an American. And it made me very happy about the prospects of our country. So in that spirit, I’m wishing Donald Trump luck. And I’m gonna give him a chance. And we, the historically disenfranchised, demand that he give us one, too.” We’ll be the first ones to say it: Chappelle for President 2020.


source : wired.com